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Ma Rainey's Black Bottom: A Dramatic Milestone

Ma Rainey's Black Bottom: A Dramatic Milestone

The Debut of Ma Rainey’s Black Bottom

Ma Rainey: The Pioneering Character

Ma Rainey is a fictionalized version of the real blues singer, Gertrude "Ma" Rainey, who was among the first-generation of recorded African American artists. August Wilson's portrayal in Ma Rainey’s Black Bottom represents not only her musical talent but also her struggle against racial oppression and exploitation in the music industry.

Background of Ma Rainey’s Black Bottom

Opening on August 23, 1984, at the Cort Theatre in New York City, Ma Rainey’s Black Bottom was a critical addition to the world of American theatre. Written by August Wilson, this play is the first of his ten-play cycle known as the Pittsburgh Cycle, which depicts the African American experience throughout the 20th century.

The Impact of the Production

Notable Cast and Performances

Starring Theresa Merritt as Ma Rainey and Charles S. Dutton as Levee, the production brought profound gravity to the stage. The synergy between the actors and their raw delivery captivated audiences and made the 276 performances a monumental success.

Cultural Significance of the Play

The play highlights the cultural struggles of African Americans in the music industry during the 1920s. Ma Rainey’s Black Bottom delves into themes of race, identity, and the control of black artistry, shedding light on the socio-economic conditions that contradict the glamour often associated with the jazz age.

Fun Fact

Ma Rainey’s Legacy

An interesting fact about Ma Rainey is that she is often referred to as the "Mother of the Blues" for her significant contributions to the genre, helping to lay the foundation for future artists.

Additional Resources

Recommended Reading on Ma Rainey

For those interested in exploring more about the life of Ma Rainey and her impact on music and culture, consider reading “Ma Rainey’s Black Bottom” by August Wilson, and explore biographies such as “The History of the Blues” by Paul Oliver. These texts provide deeper insights into the rich history of blues music.